Writing

A collection of my best film writing

Is There Still a Place for Eroticism in Cinema? for Little White Lies

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Joan Didion and Hollywood for Keyframe Daily

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Why Sex and the City is the best Blockbuster of the 21st Century for Little White Lies

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Detroit: The New City of Horror for RogerEbert.com

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James Agee’s Voice for Vague Visages

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Director Denis Côté’s fear of becoming ‘bourgeois with filmmaking’ for The Globe and Mail

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My Wedding Night was Interrupted by a Coke Fuelled Orgy for Vice

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Welcome Home Takashi Miike for RogerEbert.com

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How Some Users Are Trying to Save IMDB’s Message Board for Motherboard

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Contradictions and Desires: The Costumes of Eiko Ishioka for Movie Mezzanine

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Makin’ Wookie – A brief history of Star Wars porn parodies for Little White Lies

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The New Vanguard of Directors for Movie Mezzanine

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David Lynch’s Art and Life for Movie Mezzanine

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A Horror Travelogue: 31 horror movies from 31 different countries for Little White Lies

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How horror cinema uncaged America’s internal monster for Little White Lies

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Joan Didion, John Wayne and Personal Brands for Vague Visages

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How Playing a Daft Punk Robot Funded an All-Cat Remake of ‘Carrie’ for Vice

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Drinking the Kool-Aid for Movie Mezzanine

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Portugal’s New Cinema Empire for Keyframe Daily

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‘An Angel at My Table’ (Jane Campion, 1990) for Vague Visages

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‘The Portrait of a Lady’ (Jane Campion, 1996) for Vague Visages

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Dystopian City How Expo 67 Made and Unmade Montreal for The Towner

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Violence is a very sad poetry: The Films of Sam Peckinpah for Roger Ebert

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